How to prompt Seedance 2.5

<subject> does <primary action or event> in <scene>.
The look is <light, colour, texture, mood>.
Shoot it <shot size, angle, movement, cuts>.
Audio: <dialogue, ambience, effects, music>.

A ceramicist finishes a pale blue cup at dawn, lifts it off the wheel,
and sets it in the middle of a wooden shelf.
Soft morning light through one window; wet clay still has a sheen; the
bench is tidy.
Open on a medium shot of the wheel, push in slowly on the cup's surface,
then cut to a frontal view of the shelf.
Audio: the low hum of the wheel, clay friction, quiet room tone.

@Image 1 defines <subject>'s <face, clothing, structure, material>.
@Video 1 defines <motion, camera move, pacing>.
@Audio 1 defines <who or what>'s <voice, line, ambience, music>.

<subject> does <primary action> in <scene>.
The look is <style>, shot <camera treatment>.

@Image 1 defines the ceramicist's face, hair and dark green apron.
Do not use its background.
@Image 2 defines the studio's bench, window position and morning light.
Do not use the people in it.
@Video 1 defines the pacing of throwing, lifting and setting down.
Do not use its performer, clothing or location.

The ceramicist finishes a pale blue cup at dawn and sets it on the shelf.
Open medium on the wheel, then push in on the cup's surface.
Audio: wheel hum, clay friction, room tone.

@Image 1 is the front of the folding desk lamp.
@Image 2 is its left side.
@Image 3 is its right side.
@Image 4 is its back.
All four show one lamp. Exactly one lamp appears in the output.

<language> + <region or accent> + <delivery> + <speaker> + {line}

Dialogue language: American English. The girl says it plainly, in
conversational American English: {I thought you weren't coming.}

Dialogue language: Japanese. She says it softly: {もう大丈夫です}

[Goal]
A <type of video>. Subject: <subject>. Story: <one-line summary>.

[Stage 1]
Start state: <where the people, props and scene are>.
Event: <one change>.
End state: <what is visible when this stage lands>.

[Stage 2]
Carried over: <what must not change>.
Event: <one change>.
End state: <what is visible>.

[Stage 3]
Event: <closing change>.
End state: <final visible frame>.

[Hold constant]
<identities, headcount, clothing, who holds what, screen direction, audio>.

[Goal]
A how-it's-made clip: a florist and a shop assistant build, wrap and
hand off one bouquet.

[Stage 1]
Start state: the florist stands behind the bench. Loose stems, shears
and wrapping paper on the top.
Event: she sorts the stems and trims them to length.
End state: the bouquet is in her left hand; the shears are back on the
right of the bench.

[Stage 2]
Carried over: both people keep their faces and clothes; the bouquet
stays in her left hand.
Event: the assistant unfolds the paper, she lays the bouquet in and
ties it with green ribbon.
End state: the wrapped bouquet lies flat and centred on the bench, bow
facing camera.

[Stage 3]
Event: the assistant lifts the bouquet onto the pickup shelf.
End state: the bouquet sits centred on the shelf; both stand behind the
bench looking at it.

[Hold constant]
Both identities and outfits, bench orientation, shears position, and who
is holding the bouquet at each point.

0–5s: an empty wooden table. A hand sets down a white ceramic plate.
End state: the hand is out of frame; only the plate remains, centred.
5–10s: the plate is removed and a clear glass is set down.
End state: only the glass remains, centred.
10–15s: the glass is removed and a green vase is set down.
End state: only the vase remains, centred.

<Character A> is @Image 1. Use its face, hair and clothing only.
<Character B> is @Image 2. Use its face, hair and clothing only.
<Prop A> is @Image 3. Use its structure, material and colour only.
<Scene A> is @Image 4. Use its layout, architecture and light only.
Do not use the people in it.

[Cast]
<Conservator> is @Image 1 — face, hair, clothing.
<Registrar> is @Image 2 — face, hair, clothing.
<Installer> is @Image 3 — face, hair, clothing.
<Guide> is @Image 4 — face, hair, clothing.
Never swap their faces, clothes, actions, positions or lines.

[Props]
<Sample case> is @Image 5 and belongs to <Conservator> only.
<Record board> is @Image 6 and belongs to <Registrar> only.

[Locations]
<Lab> is @Image 7 — space, materials, light.
<Gallery> is @Image 8 — space, materials, light.

[Motion and sound]
@Video 1 is how <Conservator> opens <Sample case>. Not its performer or
location.
@Audio 1 is <Guide>'s voice and lines.

[Profile — Conservator]
Look: @Image 1.
Always carries: <Sample case> (@Image 5).
Appears in: <Lab>, <Gallery>.
Moves like: the case-opening in @Video 1, the placement in @Video 2.
Never: wears another character's clothes; holds <Record board>.

Scene 1 | Lab inspection
Uses: <Conservator>, <Sample case>, <Lab>, the opening motion from @Video 1.
Event: she opens <Sample case> at the bench and inspects what's inside.
End state: she stays on the inner side of the bench; the case sits by her
right hand, frame left.

Scene 2 | Gallery registration
Uses: <Registrar>, <Record board>, <Gallery>.
Event: he checks the number on <Record board> beside the display case.
End state: he still holds the board in both hands; nobody else enters the
display-case area.

[Goal]
Edit @Video 1. In <whole clip | time range>, <add | remove | replace |
adjust> <object, region or sound>.

[Master]
@Video 1 is the sole master. It defines the people, scene, action,
framing, camera, occlusion, audio and event order.

[Target]
@Image 1 / @Audio 1 defines <the specific attributes of the new thing>.

[Scope]
Change only <object, region, time range or audio category>.

[Preserve]
Everything else from @Video 1 — <the specifics that must not move>.

[Goal]
Edit @Video 1. Between 4s and 7s only, change the cool blue light on the
right-hand wall to warm orange.

[Master]
@Video 1 is the sole master — character, room, action, framing, camera,
audio and event order.

[Scope]
Only the wall's light colour and the area it falls on. Let her skin tone
respond naturally to the new light.

[Preserve]
Her identity, clothes, expression, position and movement; the room's
structure; the camera move; the dialogue and room tone.

[Goal]
Edit @Video 1. Replace only the yellow folding desk lamp with the white
one in @Image 1.

[Master]
@Video 1 is the sole master — desk, books, hands, camera position and
move, occlusion, event order.

[Target]
@Image 1 gives the white lamp's shape, structure and material only. Not
its background, framing or other objects.

[Scope]
Exactly one white lamp throughout. Replace only the yellow lamp. Leave
the books, desk, hands and background alone.

[Timeline]
The white lamp inherits every entrance, arm rotation, hand occlusion and
exit of the yellow one — same timings, same path, same speed changes.
Apart from that object, nothing else in @Video 1 changes.

@Video 1 is the sole master — people, action, framing, camera, order.
@Image 1 supplies only a daylit glass greenhouse: its layout, depth,
ambient colour and light direction. Not the people in it.

Replace only the light grey background outside her silhouette in
@Video 1 with that greenhouse.
Keep her identity, features, hair, clothing, expression, position, scale
and the arm-raising movement exactly as they are.
Apart from that region, nothing else in @Video 1 changes.

Edit @Video 1. Remove only the background music. Keep the dialogue and
its lip sync, the room tone and the action effects, and keep the picture,
camera and cutting rhythm as they are.

Edit @Video 1. Change the presenter's spoken language to natural American
English, keeping the same words and the same speaking times. Every other
voice, the music, the ambience and the picture stay as they are.

@Video 1 is the clip to extend forward.

Extend @Video 1. Its first new frame continues straight from @Video 1's
last frame: keep <pose and facing>, <prop positions>, <background and
spatial relations>, <camera position and framing>, <light>, and
<direction of movement>.

Then: <the new action, event, camera move or sound>.

Across the extension keep <identity and clothing>, <key props>,
<background layout> and <screen direction> continuous. Each subject stays
one continuous instance — never duplicated, split, or changing part count.

@Video 1 is the clip to extend forward.

Extend @Video 1. Its first new frame continues straight from @Video 1's
last frame: same locked-off medium shot, the orange paper plane in the
same place and attitude, the classroom window behind, afternoon light,
still travelling frame right.

Then the plane glides on to the right and out of frame while the white
curtain by the window sways once. Camera and classroom stay exactly as
the last frame left them.

@Video 1 is the clip to extend backward.

Before @Video 1 begins: the same glass greenhouse, empty. Morning mist
drifts near the floor, the overhead shade rises slowly, nobody is in yet.

The extension's last frame lands on @Video 1's first frame: the central
aisle, planting tables both sides, glass frame, soft morning light, the
same locked-off wide. By then the shade is fully up, the aisle is empty,
and the leaves still move slightly.

Anything that only appears after @Video 1 starts must not appear early
here.

@Image 1 is the first frame: opening framing, positions, poses, tabletop
state, workshop, camera direction.
@Image 2 is the last frame: closing framing, positions, poses, tabletop
state, workshop, camera direction.
@Image 3 is the perfumer's face, hair and dark green apron. It must not
change the framing set by @Image 1 or @Image 2.
@Image 4 is the glass bottle's shape, material and label position. Same
restriction.

From the opening pose, the perfumer picks up a dropper and the bottle,
drips amber oil in, swirls it, seats the stopper, sets the finished bottle
in the middle of the table, and arrives naturally at @Image 2.
Throughout: her identity and clothes, the bottle count and shape, the
table layout, the warm side light and the camera direction all hold.

Use @Image 1 through @Image 4 as keyframes, in that order.

@Image 1 is the first frame: an orange paper plane on the left of a
classroom desk, nose pointing right, locked-off medium.
@Image 2 is the second state: a hand lifts that same plane off the desk,
attitude unchanged.
@Image 3 is the third state: the same plane passes the window as the
curtain shifts slightly right.
@Image 4 is the last frame: the same plane at rest on the middle shelf of
the bookcase, still pointing right.

Move through those four states in order, with flight direction and speed
continuous between them. Hold the plane's orange paper, size and folds,
the classroom layout, the afternoon side light and the camera axis.

@Image 1 is a four-panel storyboard for shot order and rough framing.
Read it left to right, top to bottom. Ignore its line-art style and any
labels in it.
@Image 2 is the potter's face, short hair and dark grey apron.
@Image 3 is the blue-glazed cup's proportions, glaze and curved handle.

Shot 1: wide — a quiet studio, the potter seated at the wheel.
Shot 2: side medium — both hands shaping the turning clay, the wall rising.
Shot 3: close — fingers refining the rim and the handle join, slip moving
over the fingertips.
Shot 4: medium close — the fired cup on a wooden shelf as both hands
withdraw.

Finish it as realistic documentary. Audio: wheel rotation, wet clay, the
room.

@Video 1 is a coarse blockout. Take from it only the walking path, the
cart's direction, the locked-off camera, the one push-in and the two
cuts. Not its grey geometry or empty room.
The tall cylinder is <Guide>.
The rectangular block is <Display cart>.
@Image 1 is <Guide>'s face, blue uniform and name badge.
@Image 2 is the cart's white metal frame and clear cover.
@Image 3 is the gallery: curved walls, grey floor, overhead strip lights.

<Guide> pushes <Display cart> along the curved wall, stops at the central
display and opens the cover. Keep the path, the blocking, the push-in
direction and the cut points from @Video 1.
Bright realistic museum documentary. Audio: footsteps, castors, room tone.

@Video 1 is a fine blockout. Preserve the sculpture's full structure, the
three-ring rotation, the plinth position, the orbiting camera and the
cuts. Not its grey material or empty background.
@Image 1 is the outer ring's brushed brass.
@Image 2 is the inner blades' translucent blue glass.
@Image 3 is a contemporary gallery: white curved walls, dark grey floor,
soft overhead light.

Re-render the rings as a brass and blue-glass kinetic sculpture, and the
room as that gallery. Keep the structure, the rotation rhythm, the orbit
and the cuts. Audio: a low mechanical turning, quiet interior.

[Roles]
@Image 1 — night-market entrance, the opening.
@Image 2 — the traveller walking the street.
@Image 3 — the lantern stall and its detail.
@Image 4 — three friends eating.
@Image 5 — the river at night, reflections.
@Image 6 — the closing group photo on the bridge.
@Video 1 — its cutting rhythm, sticker treatment and transitions only.
Not its people or places.

[Order]
Run @Image 1 to @Image 6 in that order: arrive, wander, eat, walk the
river, take the photo. The three friends keep their faces and clothes
throughout; never mix them up.

[Motion]
Slow push-ins and slight parallax on the environments. On the people,
only blinking, a head turn, a raised glass, a little cloth movement.
Stall structure, table position and bridge railing stay put.

[Finish]
Upbeat travel-cut rhythm, scenes joined on occlusion and matching colour,
hand-drawn stickers kept to the edges of frame.

[Audio]
Market chatter, light crockery, river wind, and unobtrusive upbeat
instrumental.

@Video 1 is the outgoing clip — take its rainy street, red umbrella,
slow push-in and rain.
@Video 2 is the incoming clip — take its round gallery skylight, rising
camera and quiet interior reverb.
Both clips keep their people, spaces, structures and main actions.

At the end of @Video 1 the red umbrella comes toward camera and fills the
frame — that starts the transition.
The camera keeps moving forward. The umbrella's circular edge becomes the
skylight's metal ring; the red fabric becomes white daylight through the
glass.
It lands on @Video 2's opening low-angle framing, the move changing from
forward travel into a rise.
The rain thins into footsteps echoing inside the gallery.

The feeling moves from <start> to <end>.
After <trigger>, <subject> first <the immediate, involuntary reaction>.
Then <eyes, brows, mouth, breath, gaze or hands> gradually <change>.
Finally <subject> shows <target feeling> by <what they outwardly do>.

Applause reaches him from behind the stage. His fingers stop on the
programme, his eyes turn slowly toward the curtain, his shoulders stay
locked.
Once it's clear the curtain call is over, he lets out a breath. The
shoulders drop, a held-back smile arrives, his eyes slowly fill — and he
still doesn't turn to leave.

Rack focus: pull focus from the leaves in front to the woman behind.
The leaves soften as her face comes sharp.

Shallow portrait: keep the pastry chef's eyes and face sharp while the
jars and lights behind her fall into soft round bokeh.

Tracking: move sideways at the skater's speed, holding him sharp while
the roadside wall smears into horizontal blur, right to left.

Golden hour: warm low sun from behind and left of the hiker, throwing
long shadows across the ridge.

Natural vignette: darken the four corners gradually, keeping the centre
brightness and her skin tone natural — no hard black border.

Whip pan: at 5s, snap the camera left; cut when the foreground shelving
covers frame, and keep moving left at the same speed in the next scene.